I consider myself a creative person, but of all of the jobs I’ve had, I was most content working as an artist’s assistant realizing someone else’s vision.
It was the summer of 2001, which fell between my freshman and sophomore year of college, and I was home in New York City and living with my parents. I had largely avoided looking for a job but, through a former colleague, was offered one as a studio assistant to an artist named Miriam. She did Verre Eglomise, which is the process of gilding precious metals like gold and silver on the reverse side of glass, and etching in a design. My job, basically, was to trace Miriam’s designs by erasing the excess gilding until the pattern she had designed emerged. (read more…)